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Coperni x Tamagotchi Swipe Case Revives Y2K Nostalgia

The brand’s latest viral handbag taps into childhood nostalgia.

March 11, 2025
in Accessories, Bags
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Courtesy of © Coperni

Coperni continues its streak of viral accessories with a collaboration that taps into millennial nostalgia. Unveiled at the brand’s Fall Winter 2025 show during Paris Fashion Week, the Tamagotchi Swipe Case merges Coperni’s signature futurism with a beloved relic of early 2000s childhood, BANDAI’s Tamagotchi.

A reinterpretation of the brand’s iconic Swipe Bag, the new accessory arrives in three colorways: navy blue, black, and silver. The design recalls previous experimental iterations, including the 3D-printed CD-Player Swipe Bag from 2023 and last year’s translucent Air Swipe Bag. This time, Coperni integrates interactive technology, embedding the classic handheld digital pet directly into the structure of the bag.

Courtesy of © Coperni
Coperni x Tamagotchi
Coperni x Tamagotchi, Courtesy of © Coperni

Beyond its playful appeal, the Tamagotchi Swipe Case reinforces Coperni’s commitment to blending fashion with technology in unexpected ways. The brand has previously pushed boundaries with glass handbags and air-filled structures, and this latest drop continues that tradition. With the Tamagotchi, Coperni revisits Y2K aesthetics and turns a childhood game into a wearable statement piece.

Coperni x Tamagotchi
Coperni x Tamagotchi, Courtesy of © Coperni

The collaboration highlights Coperni’s ability to infuse fashion with amusement, subverting expectations of what an accessory can be. While details on a wider release remain unclear, the Tamagotchi Swipe Case has already secured its place as a standout moment from the Fall Winter 2025 season. Whether as a collector’s piece or a functional throwback, it signals yet another bold experiment in wearable nostalgia.

Tags: coperniFW25
Katarina Doric

Katarina Doric

The COO and Features Director of DSCENE Publishing, Katarina Doric oversees editorial direction across all DSCENE platforms. With a background in architecture, her work connects fashion, art, and design through a critical lens. She is the author of the Doric Order column, where she examines the politics of aesthetics, womanhood, and culture, and leads DSCENE’s international cultural projects.

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