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DSCENE STYLE STORIES: Ciao Cecilia by Katie Borrazzo

DSCENE STYLE STORIES: Ciao Cecilia by Katie Borrazzo

October 16, 2024
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DSCENE STYLE STORIES: Ciao Cecilia by Katie Borrazzo

Cecilia Locci takes center stage in “Ciao Cecilia” for DSCENE Style Stories.

October 16, 2024
in DSCENE STYLE STORIES, Editorial Photography, Female Models, Womenswear
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Top: Mortica Studio
Dress (under): CÂLLAS Milano

Photographer Katie Borrazzo captures the latest DSCENE STYLE STORIES exclusive, “Ciao Cecilia,” starring model Cecilia Locci, represented by The Industry Model Management. The editorial comes to life with creative styling by Toni Than, alongside hair by Paul Venoit and makeup by Ta Ming Chen, featuring products from Violette and Addiction Tokyo. Supporting the shoot, Amp Suwan assists with styling.

DSCENE EXCLUSIVES

In this session, Cecilia wears a curated selection of pieces from high-end brands such as CÂLLAS Milano, Ulla Johnson, and ISSEY MIYAKE. The looks are elevated with accessories from Cole Haan, Steve Madden, and Andre Assous, blending contemporary aesthetics with bold sophistication.

Dress: CÂLLAS Milano
Shoes: Cole Haan
Dress: Ulla Johnson
Shoes: Cole Haan
Shirt: HYKE
Pants: HYKE
Top (over): Mortica Studio
Shoes: Andre Assous
Dress: Ulla Johnson
Top: FFORME
Skirt: FFORME
Shoes: Steve Madden
Dress: Ulla Johnson
Shoes: Cole Haan
Dress: Aknvas
Shoes: Steve Madden
Tights: Calzedonia
Shirt: HYKE
Top (over): Mortica Studio
Top (Black): ISSEY MIYAKE
Top (White): ISSEY MIYAKE
Skirt: ISSEY MIYAKE
Shoes: Andre Assous
Dress: CÂLLAS Milano
Top: Ph5
Skirt: Ph5
Shoes: FFORME
Top: ADEAM
Skirt: ADEAM
Shoes: Steve Madden
Tights: Calzedonia
Dress: Ulla Johnson
Dress: Ulla Johnson
Shoes: Steve Madden
Tags: DSCENE STYLEKatie BorrazzoStyle
Katarina Doric

Katarina Doric

The COO and Features Director of DSCENE Publishing, Katarina Doric oversees editorial direction across all DSCENE platforms. With a background in architecture, her work connects fashion, art, and design through a critical lens. She is the author of the Doric Order column, where she examines the politics of aesthetics, womanhood, and culture, and leads DSCENE’s international cultural projects.

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