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Ib Kamara Exits Off-White After Four Years as Creative Director

The designer and stylist departs the Virgil Abloh-founded label as Off-White continues its post-LVMH restructuring under Bluestar Alliance.

August 31, 2026
in News, Off-White
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Ibrahim Kamara
©OFF-WHITE

Ib Kamara is leaving Off-White, bringing his four-year tenure as creative director to an end at a moment of continued transition for the Virgil Abloh-founded label. The company confirmed the departure on August 31, 2026, with no successor named and no runway show scheduled for the upcoming season.

NEWS

Kamara joined Off-White in 2022, only months after Abloh’s death, stepping into one of fashion’s most difficult creative roles. Before taking the position, he had already worked closely with Abloh at Louis Vuitton, giving him a direct connection to the visual and cultural language that shaped Off-White from its earliest years.

Off-White Fall Winter 2026, Courtesy of Off-White

His appointment came with an unusually complicated brief: preserve the identity of a house so closely tied to its founder while finding a direction that could function without him.

That task became even harder as the market around the brand changed. High-end streetwear lost some of the momentum that had driven Off-White’s growth during the late 2010s, while the wider luxury sector slowed. At the same time, Off-White faced structural changes behind the scenes.

In September 2024, LVMH sold Off-White LLC to Bluestar Alliance, the New York-based brand management company whose portfolio includes names such as Scotch & Soda, Hurley and Bebe. Financial terms were not disclosed. LVMH had acquired a majority stake in Off-White in 2021, just months before Abloh’s death.

Since the acquisition, Bluestar has pushed Off-White into a broader commercial phase. The brand has reduced parts of its retail footprint, while also experimenting with more accessible price points and new distribution strategies.

Off-White Fall Winter 2026, Courtesy of Off-White

Kamara’s final runway presentation took place in March 2026. Soon after, Off-White announced 10×10: Off-White Icons Reimagined, a year-long collaborative project that gives 10 creatives control of 10 recognizable product categories from the brand’s archive. The lineup includes Kid Cudi, A$AP Nast, Raul Lopez, Ava Nirui, Veneda Carter, Yuta Hosokawa, Guillermo Andrade, Renell Medrano, Stéphane Ashpool and Bafic. The initiative runs through April 2027 and effectively spreads creative direction across a network of collaborators rather than placing it solely in one designer’s hands.

Bluestar chief executive Joey Gabbay thanked Kamara for the energy and perspective he brought to the label, while Kamara described his time at Off-White as a major creative education and emphasized the idea that the house should remain larger than any single person.

The brand has also said it remains open to working with him again through future collaborations.

Off-White Fall Winter 2026, Courtesy of Off-White

Kamara’s exit leaves Off-White at another decisive point. Under Abloh, the label operated through a highly personal system that moved between fashion, art, music, architecture and street culture. Recreating that structure was always unlikely. The more relevant question now is whether Off-White intends to appoint another central creative director at all.

The 10×10 program suggests another possibility: a looser creative model built around rotating contributors, category-specific projects and collaborations. That approach could give the label flexibility while reducing the pressure of finding a direct successor to Abloh.

For now, Off-White enters the next season without a named creative director and without a runway show, while its collaborative strategy continues to unfold under Bluestar.

Tags: Fashion NewsIb Kamara
Katarina Doric

Katarina Doric

The COO and Features Director of DSCENE Publishing, Katarina Doric oversees editorial direction across all DSCENE platforms. With a background in architecture, her work connects fashion, art, and design through a critical lens. She is the author of the Doric Order column, where she examines the politics of aesthetics, womanhood, and culture, and leads DSCENE’s international cultural projects.

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