Rabanne Resort 2027 treats the wardrobe as an open system, where each piece gains character through styling and personal instinct. For Party ’26 and Spring ’27, Julien Dossena studies how clothes come together in daily life, placing polished construction beside raw textures, practical forms and unexpected accessories.
RESORT 2027
Spring ’27 introduces utility shapes through fabrics associated with more formal or decorative clothing. A luminous jacquard three-hole dress includes an adjustable waist, allowing the wearer to control its proportions. A raw cotton ensemble takes the streamlined form of a jumpsuit, while oversized Bermuda shorts connect skater references with precise tailoring. A cropped faux fur jacket adds another shift in texture and scale, giving the look a compact, tactile finish.
Dossena draws from flea market finds and familiar wardrobe staples, then adjusts their proportions and purpose. A sandy suede jacket arrives in the generous shape of a varsity style. A lightweight trench takes cues from a clinical lab coat, turning a functional reference into a summer layer.
Masculine and feminine codes move freely across the collection. Denim shirts accompany delicate Liberty-style florals, knitted bonnets and oversized jewelry. The styling avoids fixed categories and lets each element change the reading of the next. A floral print can soften a tailored shape, while substantial jewelry gives a delicate garment greater weight. The clothes retain their individual identities while contributing to silhouettes that feel personal and slightly unresolved.
Italian suiting from the 1990s provides another reference point. Dossena breaks down its familiar structure and builds new arrangements through blouses, knitwear and overskirts. Trousers appear with additional garments layered around the waist and hips, disrupting the expected division between tops, skirts and tailoring.
The Party ’26 capsule continues this relaxed method with a quieter approach to evening dressing. Dossena focuses on intrigue, texture and controlled contradictions. The imagined wearer leans toward modernist clothing while collecting unusual pieces from Saint-Ouen, giving her wardrobe a polished base with traces of chance and eccentricity.
A deep brown crepe dress features a monochromatic assemblage that functions like a new form of fur. Its surface feels rich, technical and slightly futuristic. A fully fringed mesh skirt exposes the legs beneath its moving texture and appears with a knitted high-neck top. The contrast between open mesh and covered knitwear gives the outfit a measured tension. Elsewhere, a vivid green embroidered mesh dress sits over black trousers and pumps, turning an evening piece into part of a layered city look.
