SHAO presented its Spring Summer 2026 collection, Futures of the Past: Chrome Legacy, during New York Fashion Week at ARTECHOUSE. Designed by Shao Yang, the final chapter of the temporal quadrilogy examined how memory and imagination overlap rather than follow a sequence. Across 31 looks, SHAO envisioned a Chinatown of tomorrow where cultural identity persists while evolving into speculative forms.
Yang framed the collection with a question rooted in personal history: what would her grandparents wear if they entered the future without leaving behind their own past? SHAO translated that thought into garments that moved between eras, linking 1975 with 2075 while remaining alive in the present moment.
The lineup grounded itself in wool suitings, pinstripes, and traditional tailoring details. SHAO used these references to signal continuity, then fractured them into trapezoidal shapes that disrupted conventional form. Chrome-finished leathers and stripped-back denim carried the futuristic edge, while yellow and pink punctuated the restrained palette. A new silhouette defined the season: sharp tailoring offset by controlled oversizing, creating proportion without losing coherence.
“I envisioned my grandparents walking into the future without losing a single thing that made them who they are,” Yang explained. With that idea, SHAO produced clothing that held memory while inhabiting contemporary urgency and stepping into imagined tomorrows. The clothes had to carry the past, live in the present, and exist in speculative futures where rituals endure.
Each garment revealed evidence of pressing, polishing, and mending, gestures that show clothing as an object of care. Yang developed this ethos during her years at The Tailory NY, where she worked with New York’s creative community on pieces that honor both shared traditions and individual identities.
The staging at ARTECHOUSE amplified the narrative. Digital environments shifted and flickered around the models, creating a dialogue between physical craft and technological frame. SHAO used technology to amplify memory rather than obscure it, situating the clothes within a porous sense of time.
