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Day 2 of New York Fashion Week FW26 Street Style

Day 2 of New York Fashion Week FW26 Street Style

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Day 2 of New York Fashion Week FW26 Street Style

Didem Civginoglu captures the arrivals outside Carolina Herrera, Zankov, Ashlyn, and Michael Kors for DSCENE.

February 13, 2026
in Fall Winter 2026.27 Womenswear, New York Fashion Week, Street Style
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Photo Didem Civginoglu for DSCENE

DSCENE Magazine continues its exclusive Fall Winter 2026 New York Fashion Week street style coverage with Day Two, photographed by Didem Civginoglu. On February 11, the schedule moved into full pace as guests gathered outside the shows for Carolina Herrera, Zankov, Ashlyn, and Michael Kors. From early morning call times to late afternoon arrivals, the sidewalks once again became an open stage where editors, models, stylists, and cultural figures set the visual tone of the week.

STREET STYLE

Outside Carolina Herrera, guests formed steady lines as final touches were made before entering the venue. Structured tailoring, precise outerwear, and carefully chosen accessories defined many of the morning arrivals. Attendees paused briefly for cameras, aware that the first shows of the official calendar carry particular weight. Didem captured these moments in motion, focusing on the gestures, exchanges, and quiet confidence that shape the atmosphere before doors close.

Photo Didem Civginoglu for DSCENE

At Zankov, the mood shifted toward bold color and knit-focused silhouettes. Guests approached with a relaxed pace, often stopping to greet colleagues and collaborators along the barricades. The conversations, quick embraces, and spontaneous poses created a rhythm unique to the location. Didem’s lens followed the natural flow of arrivals, documenting the evolving mix of familiar industry faces and new personalities entering the frame.

By the time crowds gathered for Ashlyn, the sidewalks filled with a tighter, more directional crowd. Clean lines and sculptural shapes echoed the precision associated with the brand. Attendees moved with purpose, navigating security checks and photographers with practiced composure. Each arrival contributed to the growing visual archive of the week, where individuality meets the shared structure of the fashion calendar.

Photo Didem Civginoglu for DSCENE

Outside Michael Kors, the afternoon light shifted and with it the tempo of the scene. Larger crowds assembled, drawing a broader spectrum of guests that included long-standing industry figures alongside rising digital creators. The entrance area became a sequence of quick pauses, flashes, and movement as arrivals filtered through. Didem framed these interactions with clarity, capturing both the anticipation before the show and the layered presence of those attending.

Day Two reinforced how each venue carries its own energy while contributing to the larger narrative of New York Fashion Week. From the polished arrivals at Carolina Herrera to the expressive knit statements at Zankov, from Ashlyn’s focused minimalism to the expansive gathering outside Michael Kors, the sidewalks reflected multiple interpretations of Fall Winter 2026. Editors stood beside stylists, models exchanged greetings with designers, and creators documented their own perspectives in real time.

Photo Didem Civginoglu for DSCENE

As February 12 concluded, the steady pace of arrivals signaled a week fully underway. The exchanges outside these shows formed a continuous thread linking each stop on the schedule. Through Didem Civginoglu’s photography, DSCENE captures the evolving portrait of a community in motion, shaping the narrative of FW26 one entrance at a time.

View Gallery 117 images

For more of Didem’s photography follow her on Instagram @spongedid.

Tags: FW26NYFWStreet Style
Katarina Doric

Katarina Doric

The COO and Features Director of DSCENE Publishing, Katarina Doric oversees editorial direction across all DSCENE platforms. With a background in architecture, her work connects fashion, art, and design through a critical lens. She is the author of the Doric Order column, where she examines the politics of aesthetics, womanhood, and culture, and leads DSCENE’s international cultural projects.

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