Caroline Zimbalist Fall Winter 2025 collection pushes biomaterials beyond artistic experimentation, embedding them into wearable designs that blur the lines between clothing and accessory. Her signature bioplastics, once purely sculptural, now take on a more integrated role, molded over conventional garments to create multi-dimensional pieces. This season refines her exploration of materiality, balancing natural textiles with structured elements that challenge conventional design. Photographer Katie Borrazzo captured the energy behind the scenes at the Caroline Zimbalist Fall Winter 2025 show, exclusively for DSCENE Magazine.
BACKSTAGE
Denim and jacquard introduce new textures, grounding her bio-infused tops and jackets in a more wearable framework while preserving their conceptual edge. Layers of translucent and opaque bioplastics interact with printed fabrics, shifting perceptions of depth and movement.
Zimbalist’s approach explores duality, the interplay between familiar materials and forward-thinking design. Prints inspired by nature form the foundation, while bioplastics overlay them in vivid, sculptural forms that reshape rather than replace traditional textiles. These elements function beyond sustainability discourse, positioning bioplastics not only as eco-conscious but as a tool for innovation and craftsmanship.
Discover full collection on DSCENE
Her work challenges assumptions about material hierarchy, integrating biomaterials into tailored silhouettes that prioritize desirability as much as function. By refining their application, Zimbalist redefines their place in high fashion, demonstrating that sustainability and luxury can evolve together rather than exist in opposition.
