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Altuzarra Fall Winter 2026 Embraces Spanish Drama and Precision

Joseph Altuzarra explores contrast through Spanish art and cinema, shaping a wardrobe defined by rigor, emotion, and transformation.

February 15, 2026
in Altuzarra, Fall Winter 2026.27 Womenswear, Female Models, New York Fashion Week, Womenswear
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Altuzarra FW26, Photography Isidore Montag @gorunwaydotcom

Altuzarra Fall Winter 2026 channels a charged Spanish sensibility through a wardrobe built on tension, emotion, and precision. Joseph Altuzarra looks to the stark realism of Diego Velázquez and the heightened cinematic intensity of Pedro Almodóvar, constructing a collection where discipline meets drama. He frames personal style as self-definition, allowing multiple identities to coexist within a single silhouette. The result feels rigorous and expressive at once, grounded in tailoring yet charged with feeling.

FALL WINTER 2026 WOMENSWEAR

Layering drives the collection’s visual language. Sculptural peacoats stand with statuesque authority, set against floor-sweeping flamenco skirts cut from weightless chiffon and georgette. Altuzarra pairs lace blouses with exaggerated cuffs under nubby tweed jackets, finishing the look with knit wrap skirts that pull tradition into contemporary rhythm. Tweed skirts unravel into fringe at the ankle, and repeating patterns reference men’s dressing gowns and ties. Scarves drape across the body in deliberate gestures. Through these deconstructed silhouettes, he nods to the subversive elegance associated with Luis Buñuel’s The Discreet Charm of the Bourgeoisie, inviting disruption into otherwise familiar forms.

Altuzarra FW26, Photography Isidore Montag @gorunwaydotcom

The emotional tone of the 1980s, shaped by Almodóvar’s early cinema, filters through the collection. Altuzarra injects familiar shapes with sensuality and narrative weight. Outerwear anchors the lineup, cut with matador-inspired shoulders that command attention. Slinky shirts and dresses carry fringed pom-poms around the collarbone and shoulders, creating movement with every step. A seemingly simple turtleneck reveals a calf-grazing cape at the back, introducing drama through restraint. Carpenter pants arrive in ultra-luxurious suede, shifting a workwear staple into elevated territory. Elsewhere, a classic turtleneck converts into a hoodie, underscoring the house’s interest in transformation.

Color and print articulate the collection’s Spanish references with clarity. The chiaroscuro mood associated with Velázquez meets the synthetic vibrance tied to Almodóvar’s cinematic palette. Jewel-toned burgundies sit alongside bright turf greens and pale blues. Soft blush pinks coexist with dark browns and rich fern greens. Prints amplify this chromatic intensity. A fisherman-scarf motif, rendered as fish entangled in a net, introduces a poetic reference to the Balearic seas while reinforcing the collection’s layered symbolism.

Altuzarra FW26, Photography Isidore Montag @gorunwaydotcom

Accessories extend the narrative of duality. The Tack Trunk draws from equestrian codes and bourgeois tradition. Altuzarra designs it with an interior suede pouch that allows the bag to sit fully open or closed, shifting its structure through use. The Cubetto Bag collapses softly under the arm, offering ease in contrast to its architectural name. The Maxi Cubetto presents a squared handheld shape with an abbreviated bowling silhouette, balancing geometry with softness.

Altuzarra FW26, Photography Isidore Montag @gorunwaydotcom

Altuzarra stages the presentation in the house showroom inside the historic Woolworth Building, reinforcing the dialogue between the everyday and the theatrical. Within this setting, the collection asserts a clear vision of the modern woman: layered, instinctive, and unapologetically expressive. Through Spanish art, cinema, and craft references, Altuzarra sharpens his exploration of wardrobe as identity, constructing a season that feels deliberate in structure and rich in emotion.

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Tags: FW26NYFW
Katarina Doric

Katarina Doric

The COO and Features Director of DSCENE Publishing, Katarina Doric oversees editorial direction across all DSCENE platforms. With a background in architecture, her work connects fashion, art, and design through a critical lens. She is the author of the Doric Order column, where she examines the politics of aesthetics, womanhood, and culture, and leads DSCENE’s international cultural projects.

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