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Margot Robbie Fronts CHANEL 25 Bag Campaign

Margot Robbie leads a Michel Gondry-directed film that revisits a pop reference while introducing the CHANEL 25 bag.

March 23, 2026
in Accessories, Ad Campaigns, Bags, Celebs, Chanel, Craig McDean, Kylie Minogue, Margot Robbie, Spring Summer 2026 Campaigns
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Margot Robbie for CHANEL 25, © CHANEL

Chanel presents the campaign for the CHANEL 25 handbag with a film directed by Michel Gondry, featuring House ambassador Margot Robbie and a cameo from Kylie Minogue. The project builds on a visual concept rooted in repetition, drawing directly from Minogue’s 2002 music video for Come Into My World and translating it into a contemporary urban setting.

AD CAMPAIGNS 

The film follows Robbie as she encounters multiple versions of herself moving through a Parisian street. Each version carries a different iteration of the CHANEL 25 bag, creating a sequence that reflects variation within consistency. The narrative remains simple, allowing the repetition of movement and styling to define the structure of the campaign.

Margot Robbie for CHANEL 25, © CHANEL

Gondry approaches the concept with a controlled sense of play, referencing the original video while shifting its context toward fashion. The inclusion of Minogue reinforces this connection without interrupting the flow, positioning her as part of the same visual loop. The setting maintains a familiar Parisian atmosphere, grounding the sequence in a recognizable environment.

Alongside the film, a series of images photographed by Craig McDean expands the campaign. Robbie appears across multiple looks, from more structured outfits to relaxed combinations, each paired with the CHANEL 25. The images emphasize the bag’s adaptability, showing how it operates across different moments without altering its core identity.

Margot Robbie for CHANEL 25, © CHANEL

Introduced in 2025, the CHANEL 25 builds on the House’s established codes. Quilted leather, the leather-interlaced chain, and the double C remain central, while the silhouette shifts toward a softer, hobo-inspired form. Two external pockets define the structure, reinforcing its functional aspect without compromising its visual clarity.

The campaign focuses particularly on the CHANEL 25 Mini, presented in an extensive range of colours including black, white, beige, pink, dark khaki, deep burgundy, and combinations such as ecru and black. Material variations extend from smooth and grained calfskin to canvas and denim, offering multiple interpretations within the same framework.

Through repetition, variation, and movement, the campaign positions the CHANEL 25 as a bag that aligns with different versions of the same individual. The concept remains direct, with the film and imagery working together to define a clear and adaptable identity.

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Tags: Accessoriesad campaignsBagsWomenswear
Katarina Doric

Katarina Doric

The COO and Features Director of DSCENE Publishing, Katarina Doric oversees editorial direction across all DSCENE platforms. With a background in architecture, her work connects fashion, art, and design through a critical lens. She is the author of the Doric Order column, where she examines the politics of aesthetics, womanhood, and culture, and leads DSCENE’s international cultural projects.

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