Ines Di Santo introduces V / Veronica Di Santo, a new line developed by Veronica Di Santo, alongside the Spring 2027 Bridal Couture collection. The launch extends the house’s structure while defining a separate direction shaped by Veronica’s perspective. As Managing Partner and daughter of the founder, she builds on decades of experience within the company, having joined in 1999 when the brand entered the bridal market. The new line repositions the former Ines by Ines Di Santo offering, directing it toward a new generation of brides.
BRIDAL
Veronica Di Santo frames V as a personal progression shaped through long-term involvement with the house. She describes the project as an extension of her development within the brand, informed by close work with her mother and guided by a clear intention to address current expectations. “V is a reflection of my own evolution within the brand, shaped by decades of learning alongside my mother, but driven by a desire to speak to a new generation of brides that are emerging,” she says. “It’s about honoring our heritage while creating something that feels modern, effortless, and entirely personal.”
V / Veronica Di Santo focuses on fashion-conscious clients who approach bridalwear as an extension of personal style. The collection reflects a shift in how customers engage with brands, with digital discovery shaping initial contact. Designs respond to this context through a balance of clean lines and softer forms, where structure and movement define each piece. Fabrics emphasize lightness and transparency, referencing ripples and reflections that influence how garments move. The range includes gowns, separates, and dresses designed to cover ceremony and after-party moments, with pricing positioned between 4,000 and 7,000 dollars.
The line operates alongside Ines Di Santo Couture with a distinct identity. It maintains its own digital platforms, including dedicated social media channels and a standalone website. Retail partners remain central to the experience, where clients engage with stylists and encounter the garments in person.
Ines Di Santo returns to New York Bridal Fashion Week for Spring 2027 with a couture collection shaped by references to Claude Monet. The designs focus on texture, drawing from the layered surfaces found in his paintings. The palette stays within white and ivory, where contrast develops through surface treatment, embellishment, and layering.
Matte and reflective surfaces interact across each look, while embroidery and appliqué create shifts in light as the wearer moves. Interior construction remains central, with corsetry and architectural structure supporting the external form.
The runway presentation introduces six ballgowns that function as sculptural focal points, placing emphasis on proportion and volume. These designs anchor the collection’s visual direction, drawing attention to scale and structure. Alongside them, a series of Jewel Box pieces introduces color through tonal variation, referencing the atmospheric quality associated with Monet’s work.
