Rosalía opens the LUX World Tour in Lyon wearing three custom Ann Demeulemeester looks by Stefano Gallici. The project continues the house’s long relationship with music and performance, where clothing functions in direct relation to movement and sound. For this tour, Gallici works in close dialogue with Rosalía and her creative team, translating the artist’s stage direction into garments conceived for live performance.
MUSIC
The first look builds a layered structure informed by ballet references. A wrapped chiffon top gathers around the neckline with a twisted tie closure and an open front hem, while integrated ties at the armholes allow sleeves to attach or detach in response to movement. Beneath it, a pointelle bodysuit follows a ballerina line with a backless construction, integrated shorts, and a high hip cut that supports full range of motion. The silhouette develops through a tiered pleated tutu formed from multiple layers of finely pleated tulle in varying lengths, creating volume and shape. An elongated satin V-cut waistband wraps and ties at the back, holding the structure in place. Soft pink satin ballerina shoes complete the look, featuring a Mary Jane strap and subtle toe pleating that aligns with the controlled direction of the ensemble.
The second look introduces a structured direction through tailoring references. A Napoleonic jacket forms the central element, constructed from multiple panels and extended into an elongated tail. Lace and cotton ruffles define the standing collar and front closure, while detachable two-piece sleeves reflect the gathered constructions seen across the wardrobe. Lace accents, contrasting tape, and piping add detail without disrupting the overall line. The jacket pairs with bloom trousers, maintaining a balance between structure and movement. Black leather mid-calf boots ground the look, defined by a clean silhouette with a rugged edge and secured with two silver buckled straps.
The final look shifts the silhouette into a theatrical form shaped by volume and extension. A multi-layered chiffon gown gathers at the neckline with an adjustable front tie, while a cross-lace trim runs across the bust and extends across the back. Two high front slits with adjustable drawstrings allow the garment to shift during performance, leading into a fifteen-meter train that expands the silhouette across the stage. A crinolina structure supports the gown through lightweight boning and vertical tapes, draped in chiffon and finished with hand-applied lace trim.
Accessories extend the final look with tall black satin boots featuring front lacing, an inner zip, a slightly squared silhouette, and a curved heel. A feathered wing harness builds volume across the back, constructed from layered chiffon and tulle shaped to evoke feather forms and finished with cock feathers. An adjustable harness secures the piece in place. The look concludes with a distressed wing headpiece built on a lace base, featuring twin feathered wings and trailing chiffon elements that extend the silhouette upward.
