Fashion brand Christopher John Rogers presented their Resort 2022 collection, that reimagines the house codes in a new way, and explores hope and the joy of dressing up. Fashion photographer Emmanuel Sanchez Monsalve captured the lookbook featuring models Danielle Mareka, Michelle Phanh, Mila Ganame, Rori Grenert, and Thalita Farias. In charge of art direction was Christina Chanel Ripley, with casting direction from Ricky Michiels. Beauty is work of hair stylist Naeemah Lafond, and makeup artist Marcelo Gutierrez.
“The brand understands there’s humanness to the way the customer approaches dressing, in that it’s polished but not always precious. The collection encompasses an array of classic wardrobe staples – strong shirting, classically tailored trousers, and assertive suiting, with the introduction of a new sense of declarative softness for the brand present in bias cut slips, v- necklines, delicate straps, and de?colletage, electrocuted with the brand’s signature graphism. Cinematic drama for the modern high-femme.” – Christopher John Rogers
Fashion brand Christopher John Rogers presented their Resort 2022 collection, that reimagines the house codes in a new way, and explores hope and the joy of dressing up. Fashion photographer Emmanuel Sanchez Monsalve captured the lookbook featuring models Danielle Mareka, Michelle Phanh, Mila Ganame, Rori Grenert, and Thalita Farias. In charge of art direction was Christina Chanel Ripley, with casting direction from Ricky Michiels. Beauty is work of hair stylist Naeemah Lafond, and makeup artist Marcelo Gutierrez.
“The brand understands there’s humanness to the way the customer approaches dressing, in that it’s polished but not always precious. The collection encompasses an array of classic wardrobe staples – strong shirting, classically tailored trousers, and assertive suiting, with the introduction of a new sense of declarative softness for the brand present in bias cut slips, v- necklines, delicate straps, and de?colletage, electrocuted with the brand’s signature graphism. Cinematic drama for the modern high-femme.” – Christopher John Rogers
