
ANNAKIKI Fall Winter 2025, presented at Paris Fashion Week, envisions a world where technology and nature collide, forcing humanity to redefine its existence. Titled “Future Forest – Wild Rebirth,” the collection challenges the limits of human evolution in an era dominated by algorithms. As artificial intelligence dictates reality and nature fades into memory, the collection asks whether instinct can survive in a mechanized world.
Designer Anna Yang imagines a futuristic tribe navigating the remnants of the natural order, adapting to a new state of being where organic and synthetic elements clash. The designs reflect this tension, merging mechanical precision with raw, primal energy. In this imagined future, survival depends not on rejecting technology but on reclaiming the untamed force that once defined human existence.

At the core of Future Forest – Wild Rebirth, the theme of “animal form reconstruction” transforms garments into living extensions of the body. Draped fur skirts resemble regenerated tails, hinting at evolution sparked by necessity. Fur-clad ankle boots encase the legs, turning every step into a visual reminder of adaptation. Animal fur details emerge across seams and structured cuts, simulating organic regrowth within an artificial landscape. These elements suggest that wildness, though suppressed, cannot be erased.
The Barbed Jacket becomes a symbol of resistance, featuring metallic spikes and structured leather, reinforcing the defensive stance of a warrior navigating an uncertain world. Sharp 3D-cut shoulders strengthen this idea, emphasizing a need for vigilance in a mechanical environment. Meanwhile, transparent elements at the cuffs and pant legs, layered with fur, hint at the last traces of warmth in a high-tech reality, an echo of human existence within synthetic confines.

The Skeleton Jacket stands out as a defining piece of the season, integrating a three-dimensional skeletal structure across the chest. More than just an aesthetic feature, this design visualizes the transformation of the human form as it adapts to a hybrid existence. The skeletal imprint symbolizes the slow disappearance of the natural world, warning of a future where organic life becomes a rarity.
Returning from previous seasons, technological thread wrapping appears once again, representing the control imposed by artificial intelligence. However, within these constraints, new forms of expression emerge. Extra-long sleeves, evoking the expansive wings of an eagle, embody the push for liberation, while exaggerated cuffs suggest a defiance of imposed boundaries. These details reinforce the idea that even within a restrictive system, humans can reclaim autonomy.

The collection raises a crucial question: as artificial intelligence restructures reality, can humanity retain its primal essence? The contrast between metal and fur, synthetic precision and untamed instinct underscores this dilemma. Beneath the structured exteriors and sculptural silhouettes, organic textures pulse with an energy that refuses to fade.
By confronting technological dominance with raw physicality, the collection proposes an alternative future, one where humans adapt rather than surrender. Instead of a return to nature, it presents an evolution that integrates strength and instinct within artificial constraints. In this vision, the wild does not vanish; it transforms, adapting to a digital world without losing its core.

ANNAKIKI Fall Winter 2025 redefines fashion as a tool for survival in an algorithm-driven existence. The collection shapes a new species, neither fully human nor entirely synthetic, thriving in a world ruled by data. These figures carry the sharpness of metal and the primal force of fur, existing within the machine yet pushing against its limits.
This is not a nostalgic longing for the past but a projection of evolution. Future Forest – Wild Rebirth envisions a reality where instinct becomes the ultimate defense against artificial control. In this landscape, survival belongs to those who embrace their primal edge, wielding untamed energy as both armor and weapon.
