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Ai Weiwei Creates Exclusive Cover for DSCENE’s Defiance Issue

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June 14, 2025
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Ai Weiwei Creates Exclusive Cover for DSCENE’s Defiance Issue

A visual act of resistance from one of contemporary art’s most outspoken political figures.

June 14, 2025
in Art, Covers, DSCENE MAGAZINE, Exclusive, Katarina Doric
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DSCENE Magazine’s Defiance Issue features a custom cover by Ai Weiwei, the artist and political dissident whose work continues to challenge power across borders. The image is iconic: Weiwei in direct confrontation, holding up his mobile phone like a weapon, the flashlight slicing through the dark. It is not staged. It is not styled. It is a document of refusal.

This issue is a reckoning with power. Who holds it, who challenges it, and what it costs to stand in opposition. Defiance is no longer a symbol of rebellion, it is the condition we live in. From political collapse to digital surveillance, from manufactured memory to quiet endurance, resistance now takes quieter, riskier forms. For DSCENE, defiance is not a mood. It is clarity. Precision. Refusal.

PRE-ORDER IN PRINT AND DIGITAL

Ai Weiwei’s image, originally captured in the heat of protest, has circulated around the globe, once described by Der Spiegel as the symbol of the Mobile Phone Revolution. Now, Ai reclaims it. “It may seem exaggerated,” he tells DSCENE, “but like Guernica, it defines an era from a unique perspective.” The cover is not about aesthetics. It’s about confrontation: an artist turning the lens back on the machinery of power, unfiltered, uninvited, and unafraid.

In his conversation with editor Katarina Doric, Ai Weiwei delivers a brutal and necessary meditation on what it means to make art in an age of misinformation, authoritarianism, and engineered forgetting. From the ruins of truth to the silence of complicity, he speaks of art as documentation, of resistance as evidence, and of beauty as something that must bear weight, not escape it.

His recent participatory work Camouflage, installed across from the United Nations, reimagines netting used in warfare as a symbol of dual realities: protection and threat, visibility and erasure. “Camouflage belongs not only to warfare,” he says, “but to the deceptive realities of peace and democracy.” In a world obsessed with spectacle, Weiwei’s work strips protest back to its essence: risk, clarity, and the refusal to be co-opted.

Art that cannot confront reality has no reason to exist.
– Ai Weiwei

Throughout the issue, Weiwei’s words cut through noise. He speaks of exile not as romantic isolation but as alienation sharpened into awareness. He dismantles the myth of artistic neutrality, warns against aestheticized outrage, and reminds us that silence, when chosen over truth, is never innocent.

The cover image, reprinted here with purpose, reflects everything the Defiance issue stands for. It does not flatter. It exposes. Weiwei does not give us permission to look away. He dares us to keep looking, and to ask what we are complicit in.

The Defiance Issue is coming soon!

Tags: ai weiweiartDefiance Issue
Katarina Doric

Katarina Doric

DSCENE Magazine's Features Director

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