
Madame Woo’s Wooyoungmi‘s Fall Winter 2026 collection is a meditation on travel as ritual, winter as theater, and clothing as armor against both the elements and the ordinary. Madame Woo’s research into South Korea’s railway history yields a wardrobe that feels simultaneously nostalgic and forward-looking, rooted in heritage yet restless in its desire to move. The result is a collection that dresses the modern nomad for journeys real and imagined, through snowfall and city streets, from platform to club floor.
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South Korean winters cut deep. The snow-draped mountains encircling Seoul funnel icy winds through the capital, transforming the landscape into something between harsh reality and frozen reverie. It was this duality that sparked Madame Woo’s imagination for Fall/Winter 2026, a collection that travels through time as much as temperature, tracing the elegance of winter dressing from the steam age to the present day.
The Concept
The starting point was the Gyeongin Railway, South Korea’s first rail line, which opened at the turn of the 20th century and ushered in a new era of travel. Madame Woo envisioned the icy platforms of that period: sculpted winter hanbok, woollen greatcoats, leather luggage, and the kind of deliberate elegance that treated travel as ceremony. For Fall/Winter 2026, she channels that spirit into a contemporary wardrobe built for cold weather and warm aesthetics.

The collection suspends itself between the Edwardian era and the 1960s and ’70s, drawing on dandy-esque tailoring cut in lush velvet and heritage cloths. Silhouettes are strict yet soft, framing the physique with precision while embracing the body-conscious tension of outerwear turned inward. Constricting blazers, faux astrakhan waistcoats and breastplates, and chunky knits hug the figure in ways that feel both protective and provocative.
The Collection
Louche silhouettes fuel a sense of glamour throughout. Dramatic hourglass field jackets in supple leather, faux suede tailoring, Chesterfield wool coats with faux astrakhan lapels, and plush faux fur coats and bombers anchor the outerwear offering. Several pieces feature reversible linings in sumptuous colors, adding a layer of hidden opulence.

The tension between refined and elemental runs through every garment. Voluminous knitted and faux fur beanies, equestrian trousers with buttoned ankle cuffs, old-world woollen snow breeches, and shearling-lined jeans inject a nomadic sensibility with streetwear energy. Raincoats, padded and quilted sports jackets with matching trousers evoke the glamour of techno-wear, riffing on protective elegance for the modern commuter.
A clubbing spirit emerges in bias-cut slinky silk slip dresses and skirts that recall 1930s and ’40s glamour, enveloped in opulent outerwear for a collision of evening elegance and cold-weather construction. Graphic cardigans and body-conscious evening tops continue the study of glamorous winter clothing.
Discover the details from the Wooyoungmi Fall Winter 2026 collection:
Cultural Translation
Archetypal winter clothing born in cold climates is reimagined through a distinctly South Korean lens. Classic northerly knitwear patterns transform into dancheong motifs, the vibrant geometric designs painted on the nation’s temples. Silk foulards and shirts are printed with winterscapes of snow-covered palatial pagodas, merging heritage with seasonal storytelling.
Accessories and Details
Starched shirt cuffs function as accessories in their own right, while high collars are impaled with silver metal bars ornamented with logo pendants, a form of jewellery that feels both archaic and avant-garde. Heritage carryalls and top-handle handbags in exotics-embossed leathers evoke the golden age of travel. Talisman bag charms conjure nomadic glamour. Padded leather opera gloves and glazed leather hiking boots cement the collection’s symbiosis between elegance and protective winterwear.
The Soundtrack
The show’s soundtrack sampled choirs, some digitally generated, reimagining traditional South Korean beompae and hwacheong chanting alongside mountain folk hymns filtered through a Byzantine and Gregorian ear. The beat of steam trains underscored the journey, a sonic bridge between eras and geographies.
Discover the runway looks in our gallery:

















