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H&M HOME x Kelly Wearstler Debut at Milan Design Week

A first presentation introduces furniture, objects, and a spatial installation inside Palazzo Acerbi.

April 6, 2026
in Furniture, Hennes and Mauritz, Interior Design
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H&M Home x Kelly Wearstler, © H&M Home

H&M Home enters Milan Design Week for the first time with a collaboration that signals a shift in scale and direction. The brand partners with Kelly Wearstler to present a curated installation that introduces key pieces from their upcoming collection. Open to the public from April 21 to 26, 2026, the presentation marks a double debut, placing both H&M Home and Wearstler within the Milan design calendar through a shared project.

FURNITURE

The installation offers an early view of a collection scheduled to launch on September 3, 2026. Alongside selected objects and furniture, the display includes bespoke variations developed specifically for Milan, with custom colors and dimensions. Materials define the core of the project, with wood, metal, ceramics, marble, and textiles shaping the collection. This release introduces furniture into H&M Home’s collaborative output for the first time, extending the brand’s scope beyond smaller design objects.

H&M Home x Kelly Wearstler, © H&M Home

The project unfolds inside Palazzo Acerbi, a 17th-century Baroque building that rarely opens to the public. Its architectural setting introduces a strong spatial contrast. Ornamental frescoes, tall columns, and historic detailing frame the installation, placing contemporary forms within a layered environment. The result creates a direct dialogue between past and present, where the collection interacts with the structure rather than sitting apart from it.

H&M Home x Kelly Wearstler, © H&M Home

Produced by Studio Boum, the installation follows a structured sequence built around the idea of daily rituals. Each room presents a different aspect of the collection, guiding visitors through a series of spaces that emphasize movement, perception, and interaction. The layout treats furniture and objects as elements within a larger system, where placement and relationship define the experience.

“Introducing an object with an unexpected shape can transform a whole space.”
– Kelly Wearstler

Wearstler’s approach shapes the collection through modular thinking. Furniture operates as an adaptable system, where individual components connect and expand into larger configurations. This idea extends across the objects, where form, proportion, and material work together to create continuity. The collection moves between sculptural presence and functional use, maintaining a clear identity throughout.

H&M Home x Kelly Wearstler, © H&M Home

For H&M Home, the project marks a step toward a broader design position. The brand brings its global reach into a format that aligns with Milan Design Week, focusing on installation rather than standalone display. As Evelina Kravaev-Söderberg notes, the presentation reflects a long-term ambition to engage with both customers and the design industry in a more direct way.

 

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A post shared by H&M HOME (@hmhome)

Kelly Wearstler’s involvement anchors the collaboration within a defined design language. Her work draws from contrast, combining materials and forms to create interiors that hold tension and balance. This installation translates that approach into a spatial format, where objects gain meaning through their placement within the room.

H&M Home x Kelly Wearstler, © H&M Home

With this debut, H&M Home positions itself within the Milan design landscape through a project that connects product, architecture, and experience. The installation introduces the collection ahead of its release while establishing a new framework for how the brand approaches design.

Tags: Kelly WearstlerMilan Design WeekSalone Del Mobile
Katarina Doric

Katarina Doric

The COO and Features Director of DSCENE Publishing, Katarina Doric oversees editorial direction across all DSCENE platforms. With a background in architecture, her work connects fashion, art, and design through a critical lens. She is the author of the Doric Order column, where she examines the politics of aesthetics, womanhood, and culture, and leads DSCENE’s international cultural projects.

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