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Celine Frames Summer Light in Automne 2026 Campaign

The Automne 2026 campaign brings ready-to-wear, leather goods, and accessories into a sunlit setting.

May 27, 2026
in Ad Campaigns, Celine, Fall Winter 2026.27 Menswear, Fall Winter 2026.27 Womenswear
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Celine Automne 2026 Campaign
Courtesy of Celine, Photography by Zoë Ghertner

CELINE introduces its Automne 2026 campaign with Michael Rider and Zoë Ghertner returning to a shared visual language built around clarity, light, and restraint. Ghertner captures the series on dunes at golden hour, placing the collection in a warm, open setting that gives each look a direct relationship with sun, sand, and movement. The campaign focuses on Rider’s latest wardrobe for the house, with ready-to-wear, leather goods, and accessories.

AD CAMPAIGNS

Rider uses the campaign to extend the direction he has started to define at CELINE. The images give space to pieces that carry a precise sense of dress. Silk scarves appear throughout the styling, bringing print and movement into otherwise controlled silhouettes. Triomphe-logo leather tote bags anchor the accessories, while chunky gold charms add weight and shine.

 

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A post shared by CELINE (@celine)

Golden-hour light gives the campaign a softer atmosphere, while the open setting, models, and styling keep focus on proportion, texture, gesture, clothes, and leather goods.

Celine Automne 2026 Campaign
Courtesy of Celine, Photography by Zoë Ghertner
Courtesy of Celine, Photography by Zoë Ghertner

The collection itself brings together the main categories that define the season. Ready-to-wear gives the campaign its structure, while leather goods and jewelry create recognizable points of focus. Scarves play a central role, continuing the house’s long connection to printed silk. The Triomphe-logo tote bags ground the wardrobe in CELINE’s accessory language, with their scale and hardware giving the campaign a practical, polished center.

Courtesy of Celine, Photography by Zoë Ghertner

CELINE also extends the campaign through video by Kersti Jan Werdal, adding motion to the same sunlit atmosphere introduced in Ghertner’s photographs. The collection arrives in stores and online on May 28.

View Gallery 38 images
Tags: ad campaignscelineFW26
Jana Kostic

Jana Kostic

Jana Kostic is an Editor at DSCENE Publishing, holding a Master’s degree in Electrical and Computer Engineering from Belgrade. Contributing across DSCENE, MMSCENE, and BeautySCENE, she covers daily news and editorial features.

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