PLUS House by Mount Fuji Architects

The architecture was realized by crossing two rectangular parallelepipeds at very right angles. The lower one contains private rooms and bathroom, and sticks half of the body out to existing narrow level ground. The upper one incorporates salon and kitchen, and lies astride the lower one and the mountain ridge.
It almost seems like an off-centered cross pinned carefully on natural terrain.
One axis of the cross stretches toward the Pacific Ocean on south, and the other, the forest of Japanese oak and some white birch on west.
The rooms in the lower structure and terrace on it enjoy broad vista of the sea and blue sky.
And gentle shade of natural forest embraces the space in the upper one. Water-polished white marble (cami #120) was chosen as interior finishing material. It glows softly like Greece sculptures to blend blue light from the south and green light from the west gradationally, thus creates delicate continuous landscape of light which suggests the character and usage of the space. Exterior is also finished with white marble. The surface get smoother as it approaches to the southern/western end till it takes mirror gloss (cami #1000) at the ends. The southern end of white cross melts into the blue of sky and sea, and the eastern end to the green of forest.
Abstraction is nothing to conflict with nature here.
Carved out of nature, it never stops being a part of nature itself, however highly abstracted. Never relativizes the nature with its foreignness, nor generate contradiction to settle for being “artificial nature” by giving up being abstract and mimicking the nature. The abstraction inspired by Mother Nature defines the nature itself, and still, stays natural.
That’s what I wanted from this abstraction and architecture. – from Mount Fuji Architects
Photo: Ken'ichi Suzuki
*Source | Architonic