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GOOD GOODS ISSEY MIYAKE Introduces the Amime Bag Series

A net-structured bag series shaped as soft baskets, built with industrial precision and finished by hand.

August 21, 2025
in Bags, Issey Miyake
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© ISSEY MIYAKE

GOOD GOODS ISSEY MIYAKE introduces Amime, a series that treats the net as structure rather than surface. The forms read clean and fluid, with gentle curves that sit comfortably in the hand and hold shape in motion. The idea is straightforward and effective: build the body from smooth, corner-less modules to create volume without bulk.

BAGS

Amime’s construction pairs machine-made components with artisan assembly. The team produces parts through industrial methods for accuracy, then artisans join each piece one by one. You feel that approach in the way the body flexes, springs back, and keeps its sculpted profile after a full day out.

© ISSEY MIYAKE

The lineup arrives in three formats that follow the same structural logic. The Small Handbag measures H19 × W16 × D14 cm at $650 USD. The Handbag measures H30 × W23 × D10 cm at $895 USD. The Tote measures H30 × W39 × D10 cm at $1,295 USD. Scale up for capacity or keep it compact; the identity stays consistent across sizes.

Colorways keep focus on the form: Off-White x Beige, Beige, and Black. Each option underscores the three-dimensional surface and the soft, corner-less geometry that defines the series.

© ISSEY MIYAKE

GOOD GOODS ISSEY MIYAKE launched in 2018 to explore what makes a product feel genuinely good to use. The team researches how habits and needs shift, then translates those insights into accessories with clarity and playfulness. The goal is simple, create objects that build a real relationship with their user and add a distinct experience to daily life.

Amime lands as a precise response to everyday carry: light, structured, and easy to style. With three sizes, a focused palette, and a build that balances accuracy and hand work, the series fits neatly into the design language of GOOD GOODS ISSEY MIYAKE while offering something fresh for the season.

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Katarina Doric

Katarina Doric

The COO and Features Director of DSCENE Publishing, Katarina Doric oversees editorial direction across all DSCENE platforms. With a background in architecture, her work connects fashion, art, and design through a critical lens. She is the author of the Doric Order column, where she examines the politics of aesthetics, womanhood, and culture, and leads DSCENE’s international cultural projects.

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