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Maison Margiela Launches Line 2 at Frieze Seoul

The house debuts its new line of artistic and cultural projects with an immersive installation at Frieze Seoul.

September 1, 2025
in Art, Maison Margiela
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Maison Margiela Line 2
via Instagram @maisonmargiela

Maison Margiela has unveiled “Line 2,” a new initiative dedicated to artistic and cultural projects, officially launching during Frieze Seoul. Unlike the house’s other numbered lines, which have long categorized ready-to-wear, accessories, and fragrances, Line 2 focuses on what the brand defines as “intangible products,” creative collaborations and community-based experiences.

ART

The first project, Art of the Intangible, is a collaboration with visual artist Heemin Chung and sound designer Joyul. Installed at Maison Margiela’s Seoul flagship, the work coincides with the international contemporary art fair and immerses visitors in a sensory environment that dissolves the boundary between fashion and art.

 

View this post on Instagram

 

A post shared by Maison Margiela (@maisonmargiela)

The introduction of Line 2 marks a strategic shift in the maison’s approach. By assigning a previously unused number to this new direction, Margiela expands its narrative beyond material design and toward cultural engagement. CEO Gaetano Sciuto describes the move as a way to “go beyond purchasing” and create opportunities for connection and community.

With this debut, Maison Margiela positions Line 2 as an evolving platform for dialogue, opening a new chapter in its relationship with the global art scene.

Maison Margiela Line 2 debuts at Frieze Seoul on September 2.

RELATED: Maison Margiela Presents Fall Winter 2025 with Miley Cyrus

Tags: arteventsFashion Newsnews
Katarina Doric

Katarina Doric

The COO and Features Director of DSCENE Publishing, Katarina Doric oversees editorial direction across all DSCENE platforms. With a background in architecture, her work connects fashion, art, and design through a critical lens. She is the author of the Doric Order column, where she examines the politics of aesthetics, womanhood, and culture, and leads DSCENE’s international cultural projects.

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