Completedworks presents Fall Winter 2026 as an exploration of surface, how it is constructed, performed, and gently undone. The jewelry collection questions whether objects, adornment, or taste can fully articulate inner life. Sculptural forms define the season across earrings, necklaces, cuffs, and rings, where segments are sanded back, cut through, and interrupted to expose flashes of bright color beneath. Abrasion becomes a method. Polish gives way to rupture. The collection frames adornment as layered identity, holding traces of emotion, memory, and projection.
FALL WINTER 2026
Designers cut and sand back volumes to reveal warmer tones beneath the surface. The pieces look composed but carry visible marks of disruption, with color appearing in fragments. Select styles revisit floral motifs through agate stones, whose natural inclusions resemble flowers within the material.
Gesture and restraint shape the collection. Earrings curve with sculptural focus, necklaces sit with weight against the body, and cuffs and rings combine solidity with interruption. Completedworks presents jewelry as layered and open to interpretation, carrying traces of amour, comfort, and emotion.
Alongside the collection, Completedworks launches a series of custom sneakers in collaboration with ASICS. The Completedworks for ASICS GEL-KAYANO 20 were released on 21 February at Dover Street Market London and online at Completedworks website.
Developed in parallel with the jewelry, Good Food, Good Friends introduces a micro-play written by Laura Waldren. The performance stars Jemima Kirke as Régine McQueen and Camille Charrière as her personal assistant. Set within a hyper-styled televised dinner party, the script opens with a pointed question: “If you could have a dinner party with three famous people, who would you choose?” The line unfolds into satire, examining how identity can become performance. Possessions, rituals, and presentation serve as tools for reassurance and belonging.
Humor drives the exchange, yet vulnerability punctures the surface. Excess reveals insecurity. Control falters under scrutiny. The play mirrors the jewelry ’s formal language, where abrasion interrupts polish and bright color emerges through cuts in the exterior. Both mediums consider how surfaces communicate and conceal in equal measure.
Fall Winter 2026 positions Completedworks at the meeting point of object and emotion. Jewelry, sneakers, and staged performance operate together to question what adornment can express. The collection embraces beauty as unfinished and human, shaped by interruption and revision.
