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10 Things to See at the 2026 Venice Biennale

The exhibitions, pavilions, and Venice projects to see during the 61st International Art Exhibition.

May 7, 2026
in Art, Events
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Image by Andrea Avezzu, courtesy La Biennale di Venezia

The 61st International Art Exhibition of La Biennale di Venezia opens to the public from May 9 through November 22, 2026, with preview days from May 6 to 8. This year’s edition, In Minor Keys, follows the curatorial concept of the late Koyo Kouoh and unfolds across the Giardini, the Arsenale, and locations throughout Venice.

ART

The main exhibition features 110 invited participants, including artists, duos, collectives, and artist-led organizations, giving the edition a wide frame before visitors move into national pavilions and exhibitions across the city.

Image by Andrea Avezzu, courtesy La Biennale di Venezia

1. In Minor Keys,
Giardini and Arsenale

The central exhibition should come first on any Venice route. Koyo Kouoh shaped In Minor Keys around artists as interpreters of social and psychic conditions, with her team carrying forward the project after her death. The exhibition moves between the Giardini, the Arsenale, and other locations, giving visitors the clearest entry into the intellectual structure of this Biennale.

 

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2. Austria Pavilion,
Florentina Holzinger

Austria presents Florentina Holzinger with SEAWORLD VENICE, on view from May 9 through November 22 at the Austrian Pavilion. The project includes a permanent live installation and performances inside the pavilion, alongside site-specific études across Venice and the lagoon. Holzinger works through dance, theatre, performance, water, and the body, making Austria one of the key national pavilions this year.

Adriana Varejão. Parede com incisões à la Fontana (Istambul), 2011. Óleo sobre tela e poliuretano sobre suporte de alumínio e madeira. © Adriana Varejão. (Vicente de Mello/CASACOR)

3. Brazil Pavilion,
Rosana Paulino and Adriana Varejão

Brazil brings together Rosana Paulino and Adriana Varejão in Comigo ninguém pode, curated by Diane Lima. The project occupies the Brazilian Pavilion in the Giardini from May 9 through November 22 and places the two artists in direct dialogue inside the building. The exhibition takes an installation-based approach and engages the pavilion’s modern architecture through histories of colonial memory, resilience, and image-making.

 

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4. Belgium Pavilion,
Miet Warlop

Belgium presents Miet Warlop with IT NEVER SSST, a performative exhibition curated by Caroline Dumalin. Warlop represents the Flemish Community of Belgium at the Belgian Pavilion in the Giardini, bringing performance art into the pavilion format with a project rooted in movement, sound, rhythm, and physical presence. The choice also marks a significant moment for Belgium’s Biennale presentation, with performance placed at the centre of the national pavilion.

Installation view, Abbas Akhavan: Entre chien et loup, 2026, Canada Pavilion, 61st International Art Exhibition – La Biennale di Venezia. Commissioned by the National Gallery of Canada and presented in partnership with the National Gallery of Canada Foundation and the Canada Council for the Arts. © Abbas Akhavan. Photo: Francesco Barasciutti

5. Canada Pavilion,
Abbas Akhavan

Canada presents Abbas Akhavan with Entre chien et loup, commissioned by the National Gallery of Canada. The title translates literally as “between dog and wolf,” referring to twilight, when distinctions begin to blur. Akhavan’s site-specific installation looks at plants, animals, cultural symbols, national narratives, and the shifting relationship between natural and built environments.

Installation views of ‘Marina Abramović: Transforming Energy’ at Gallerie dell’Accademia di Venezia, 2026. Photographer Matteo de Fina

6. Marina Abramovic, Transforming Energy,
Gallerie dell’Accademia

Marina Abramovic presents Transforming Energy at the Gallerie dell’Accademia di Venezia from May 6 through October 19, 2026. The exhibition makes Abramović the first living woman artist to receive a major exhibition at the museum. Presented during the Biennale period, the show brings her performance history into dialogue with one of Venice’s major art institutions.

“Helter Skelter: Arthur Jafa and Richard Prince”, Venice, Ph. Andrea Rossetti, Courtesy Fondazione Prada

7. Helter Skelter, Arthur Jafa and Richard Prince,
Fondazione Prada

Fondazione Prada presents Helter Skelter: Arthur Jafa and Richard Prince at Ca’ Corner della Regina from May 9 through November 23. Curated by Nancy Spector, the exhibition places the two artists in conversation through image culture, appropriation, race, power, and American visual codes. This is one of the major foundation exhibitions to place alongside the official Biennale route.

(floor) Lorna Simpson, Vibrating cycles, 2026, Courtesy of the artist and Hauser & Wirth (wall, from left to right) Lorna Simpson, Night Fall, 2023, Private Collection; Thin Bands, 2019, Courtesy of the artist and Hauser & Wirth; Time, 2021, Private Collection; Howling, 2020, Gina and Stuart Peterson Collection. Installation views, Lorna Simpson. Third Person, 2026, Punta della Dogana, Venezia. Ph. James Wang © Palazzo Grassi, Pinault Collection

8. Lorna Simpson, Third Person,
Punta della Dogana

Lorna Simpson presents Third Person at Punta della Dogana from March 29 through November 22, 2026. Curated by Emma Lavigne for the Pinault Collection, the exhibition offers a renewed and expanded selection conceived for Punta della Dogana’s spaces. It also continues the path opened by Simpson’s Source Notes exhibition at the Metropolitan Museum of Art in New York in 2025.

 

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9. Strange Rules, Berggruen Arts & Culture,
Palazzo Diedo

Berggruen Arts & Culture presents Strange Rules at Palazzo Diedo in Cannaregio from May 4 through November 22, 2026. Curated by Mat Dryhurst, Holly Herndon & Hans Ulrich Obrist with Adriana Rispoli, the exhibition explores protocol art, technology, biology, artificial intelligence, and algorithmic systems, while Palazzo Diedo also functions as a research environment for a major publication tied to the project. It adds a strong contemporary and technology-focused stop to the city route.

Installation view, Amoako Boafo: It doesn’t have to always make sense, Museo di Palazzo Grimani, Venice, May 6–November 22, 2026. Artwork © Amoako Boafo. Photo: Leonardo Cestari

10. Amoako Boafo,
Museo di Palazzo Grimani

Amoako Boafo presents It doesn’t have to always make sense at Museo di Palazzo Grimani from May 6 through November 22, 2026. Presented by Gagosian with the Musei archeologici nazionali di Venezia e della Laguna, the exhibition marks Boafo’s first solo exhibition in Italy. New and recent works respond to the Renaissance atmosphere, architecture, and historical setting of Palazzo Grimani, making it one of the strongest museum exhibitions to see during the Biennale months.

Tags: fondazione pradaMarina AbramovicVenice Biennale
Katarina Doric

Katarina Doric

The COO and Features Director of DSCENE Publishing, Katarina Doric oversees editorial direction across all DSCENE platforms. With a background in architecture, her work connects fashion, art, and design through a critical lens. She is the author of the Doric Order column, where she examines the politics of aesthetics, womanhood, and culture, and leads DSCENE’s international cultural projects.

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