Opera Gallery Paris is set to present the much-anticipated exhibition, “Transatlantic: Figurations in the 80s,” curated by Pascale Le Thorel. Running from October 15 to November 14, 2024, during the Art Basel Paris, the exhibition offers a deep dive into the figurative art movements that emerged on both sides of the Atlantic in the 1980s. This comprehensive collection reflects the vibrant and transformative period that redefined the art world, moving away from the minimalism and conceptual art of previous decades. Cécile Degos, as the scenographer of the exhibition, brings a vision that aligns with the thematic and formal interests of the ensemble, allowing the audience to fully engage in the multicultural and interdisciplinary dialogue central to ‘Transatlantic: Figurations in the 80s’.
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The 1980s marked a significant shift as artists responded to their socio-political environments, embracing figuration with renewed vigor. In the United States, figures like Keith Haring and Kenny Scharf engaged with themes of consumerism and urban life, while in France, the Figuration Libre movement, represented by artists such as Robert Combas and Hervé Di Rosa, explored issues of identity, politics, and the human condition. The exhibition juxtaposes these diverse artistic responses, revealing how both regions explored new ways of depicting the human figure in art.
Pascale Le Thorel’s curation carefully situates each piece within its historical and cultural framework. From American artists challenging the rise of consumer culture to European artists exploring the existential challenges of the time, the exhibition offers a multifaceted look at how figurative art became a vehicle for social commentary and self-expression. A key feature of “Transatlantic: Figurations in the 80s” is its focus on the interplay between different artistic movements across the Atlantic. In France, the Figuration Libre movement introduced a bold, rebellious approach to figurative art, blending comic-book aesthetics and pop culture influences. Meanwhile, American artists like Andy Warhol pushed the boundaries of traditional media, exploring how art could engage with contemporary culture. The exhibition celebrates these overlapping yet distinct artistic dialogues, demonstrating the ways in which figurative art served as a bridge between cultures.
The exhibition also highlights the contributions of women artists such as Niki de Saint Phalle and Catherine Viollet, whose works challenged conventional narratives in art and society. Their inclusion speaks to the broader cultural shifts of the time, where previously marginalized voices began to assert their presence in the art world. By placing these works in conversation with those of their male contemporaries, the exhibition underscores the complexity and richness of the figurative art movement in the 1980s.
With “Transatlantic: Figurations in the 80s,” Opera Gallery Paris invites viewers to revisit a pivotal decade in art history that continues to influence contemporary art practices. The exhibition’s thoughtful curation, paired with Le Thorel’s expertise, ensures that visitors will leave with a renewed appreciation for the power of figuration in shaping artistic expression. As Art Basel Paris draws international attention, this exhibition stands out as a must-see for anyone interested in understanding the lasting impact of the 1980s on the art world.
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