Upcoming exhibition from Theaster Gates, “Black Mystic,” at Gagosian Le Bourget Gallery, will be on view from April 13, 2024. This exhibition is the newest in Gates’s evolving practice, showing monumental tapestries that transform industrial roofing materials. These “torch works” are complex, layered compositions that are experimental in nature, with the venue of Le Bourget as a canvas for his ambitious experiments.
ART
Concurrently, Gates’s cultural and artistic dialogue extends to Tokyo, where his “Afro-Mingei” exhibition at the Mori Art Museum runs from April 24 through September 1, 2024. This will be Gates’s largest solo presentation in Asia and his first in Japan, focusing on the fusion of Black diasporic culture with Japanese craft traditions.
Theaster Gates’s ability to infuse his works with deep personal and collective histories is particularly evident in “Black Mystic,” where the material of tar becomes a conduit for exploring themes of labor, legacy, and artistic innovation. Gates’s incorporation of a tar kettle, a tool inherited from his father, into the exhibition adds a personal point of view to the theme of labors that shape our environments. By integrating text and imagery from significant cultural archives into his tar paintings, Gates expands the conversation to include reflections on identity, community, and memory.